The focus of Uldrych's attention is the inner world of experience, the boundaries of human perception, and the themes of the subconscious and memories. “I am interested in a certain confrontation with reality. We do not know with unshakable certainty where its borders really are, what it creates and where our source of consciousness is. I don't want to paint only the things I see with my eyes. I want to go beyond what we commonly call "reality". I am interested in the inner structure of being, something original, something that seeps from other levels of consciousness. This way we avoid lies - we are not transforming the outside world, but our experiences of another give us answers to what the world "out there" rather is not," says Jan Uldrych. All the more interesting are the resulting paintings by Uldrych. Imagination - traditionally understood as realistic (putting aside the issue of realism as "convention") - is presented in the paintings as completely unknown and unknowable, anchored in the reality of the unseen entity. The visual character thus resembles the abstract, nonfigurative positions of painting. Jan Uldrych is aware of this, and over time he began to reflect on the relationship between transparent depiction and the course, expressive gesture which is usually associated with abstraction. As a result, Udrych puts before us ideal and perfect windows with his paintings: we see the world beyond them
clearly and distinctly, but we have no rational experience of what we see out there, our mind simply does not have the concepts by which we can grasp what is being depicted. His paintings thus call for a "Wittgenstein silence" - What cannot be talked about must be kept silent." Therefore, the contours of realism and reality are shaped into a pure and clean creative and conceptually inconceivable image experience, in an attempt to resurrect the "innocent eye".